At the dawn of dominion a dark-eyed youth
slips from her hovel through mud and dung
out to a pasture of silence and stars.
Driven by visions she’s cursed to proclaim,
she enters the city set on the hill
and cries out to the uncaring crowd –
slips from her hovel through mud and dung
out to a pasture of silence and stars.
Driven by visions she’s cursed to proclaim,
she enters the city set on the hill
and cries out to the uncaring crowd –
Dominion is a stone facade
with cedar beams and paneled walls;
it’s frescos lining marbled halls.
Dominion is a court of laws
with ornate scrolls of holy codes
and tablets carved with harsh decrees.
Dominion is the gift of grain
backed by chains; dominion
is the sweat of slaves.
Dominion is a fortress, walled,
its storeroom, bare, its cistern, dry;
dominion stares with hollow eyes.
Dominion is a city, breached,
the stench of streets
pooled with sewage, guts, and blood
and pierced by shrieks of wounded youth.
It’s the wail of old women
and the silence of a starving child
scavenging the ruins of rude huts.
Dominion is a broken plow
by a field sewn with corpses.
Painting by Jean Mielot, canon of Lille, 1455. Image and description are from "Jerusalem" by Michel Join-Lambert. Elek Books, 1958 |
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